‘Pompei: Below the Clouds’ Review: Trembling Beauties, Old and New
The past and the present converge in this ravishingly beautiful Italian documentary […]
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‘Protector’ Review: She Knows How to Give Life, and How to Take It
Milla Jovovich plays a mother whose wrath is unleashed when her daughter […]
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Olivier Awards: ‘Paddington’ and ‘Into the Woods’ Lead Nominations
The two musicals secured 11 nominations each for Britain’s equivalent of the […]
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‘The Napa Boys’ Review: You Had Me at Merlot
This unclassifiable postmodern spoof, from the comedians Nick Corirossi and Armen Weitzman, […]
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John P. Hammond, Pioneer in 1960s Blues Renaissance, Dies at 83
With his acclaimed interpretations of Delta Blues standards, he was a fixture […]
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At the Whitney, a Biennial Gets Personal
For an unmoored time, 56 artists and teams present an inspired discourse […]
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‘Theory of Flames’ Dives Down the Rabbit Hole of Paranoia
Michel van der Aa’s “Theory of Flames” originates from a question: “How […]
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Russia Returns to Venice Biennale, in Latest Sign of a Cultural Comeback
By hosting a pavilion again this year, Russia continues its efforts to […]
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Harry Styles Left as a Dominant Male Pop Star. He Returns to a Crowd.
In the four years since the British singer last released an album, […]
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‘Youngblood’ Review: He’s Got a Reason to Be Chippy
A remake of the 1986 crowd-pleasing hockey movie, starring Ashton James as […]
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